I was always led to believe you should take care of yourself, trust in your abilities and you're the author of your own destiny.

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I've played different nationalities, and everything from vulnerable to strong to crooked to demented. It just increases your possibilities of work because, if people know you can do just about anything, then you're going to get more offers. That's what I want to do.

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I'm of Nigerian descent, from the Yoruba tribe. Names are very significant in that culture. It basically states your purpose in life.

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The actual fights themselves are very demanding. You don't want to drain yourself. But it pumps you up, gets you in the zone. It's a good way of getting you into the zone for the scene.

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It's very important to stretch, because while it's good to look pumped, a lot of the moves are split legs, and twisting fast. So you really, really have to stay supple.

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Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast.

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Personally, I love Toronto.

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What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

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And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."

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Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast. I made a concerted effort, last year and this year, to get a range of characters, just to show people the range that I have, and for them to be able to see the artistry beyond the color.

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